File:Michelle Phillips and Warren Beatty (1975).jpg

Non sono disponibili versioni a risoluzione più elevata.

Michelle_Phillips_and_Warren_Beatty_(1975).jpg (488 × 400 pixel, dimensione del file: 30 KB, tipo MIME: image/jpeg)

Logo di Commons

Questo file e la sua pagina di descrizione (discussione · modifica) si trovano su Wikimedia Commons (?)

Dettagli

Descrizione	English: Michelle Phillips and Warren Beatty at Harvard University, March 1975
Data	28 febbraio 1975
Fonte	eBay (archive) Front back Text: Movie star Warren Beatty and his companion Michelle Phillips, left, formerly of the Mamas and Papas, sit in the audience of Harvard University's Hasty Pudding Theater, on Feb. 28, 1975, in Cambridge, Mass. Beatty had received the Hasty Pudding Man of the Year Award earlier.
Autore	SconosciutoUnknown author
Licenza (Riusare questo file)	English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject. As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.): "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes: "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes: "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that: "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."

Licenza

Quest'opera è nel pubblico dominio perché pubblicata negli Stati Uniti fra il 1930 e il 1977, inclusi, senza un avviso di copyright. A meno che l'autore non sia morto da molti anni, non è nel pubblico dominio nei Paesi o nelle aree che non applicano la regola della durata più breve per le opere statunitensi, come Canada (70 pma), Cina (50 pma, ma non Hong Kong o Macao), Germania (70 pma), Messico (100 pma), Svizzera (70 pma), e altri Paesi con trattati individuali. Vedi questa pagina per ulteriori informazioni.

العربية ∙ беларуская (тарашкевіца) ∙ čeština ∙ Deutsch ∙ Ελληνικά ∙ English ∙ español ∙ français ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ Nederlands ∙ português ∙ русский ∙ sicilianu ∙ slovenščina ∙ ไทย ∙ Tiếng Việt ∙ 中文（简体） ∙ 中文（繁體） ∙ +/−

Flag of the United States

Cronologia del file

Fare clic su un gruppo data/ora per vedere il file come si presentava nel momento indicato.

	Data/Ora	Dimensioni	Utente	Commento
attuale	11:39, 4 nov 2018	488 × 400 (30 KB)	Drown Soda	Watermark removal
	11:38, 4 nov 2018	1 000 × 728 (90 KB)	Drown Soda	Front
	11:38, 4 nov 2018	1 000 × 733 (36 KB)	Drown Soda	User created page with UploadWizard